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DPA Microphones Bring Quality Sound to Studio and Small Screen


Audio engineer Richard Gough is the latest in a roster of high profile Front-of-House engineers who are investing in DPA d:facto™ II Vocal Microphones for use with big name recording clients.

Gough has been using d:facto Vocal Microphones supplied by DPA's UK distributor Sound Network with a number of artists. One of these is Conor Maynard who has tried the microphone in the studio for small live recordings, and in a broadcast setting for live TV performances including one for SBTV and another for ITV2's Xtra Factor.

"Maynard is still quite fresh and new to the music industry," Gough explains, "so I didn’t really expect him to notice using different mics on his own vocal. But after using the d:facto for about ten shows in a row, there were a couple of TV performances where we had to use another brand of wireless mic and he instantly noticed the difference. He wasn’t happy with the amount of 'pop' or the 'booming' in the low end that these other microphones were giving. It was a noticeable difference for him."

Also impressive for Gough has been the way DPA's d:facto Vocal Microphone performs, even d when used in an unconventional way.

"Conor 'cups' the mic, like a rapper," he explains, "and this distorts the polar pattern of the mic. But noticeably with the d:facto, this doesn’t seem to matter too much. I still get plenty of gain before feedback in my side fills, so his vocal is there if his ears fail. This is one of the most impressive things about the mic. It has such a smooth response and gives lovely warm lows without 'popping' and 'booming'."

Gough's criteria for an ideal mic are build quality, sound quality, gain before feedback, and adaptability. DPA's d:facto vocal Microphone possesses all of these attributes, he says, and is adaptable too, with the ability to change the capsule with just a few turns.

"The d:facto Vocal Microphone makes my job so easy: previously I was always using the parametric EQ to get rid of little things I didn’t like the sound of, which I now realize were down to the old mic. Now I’m leaving it completely flat, just high-passing to about 125Hz. It couldn’t be simpler: I add a compressor to the channel, with a nice reverb and I'm done."

Gough has been using DPA d:facto Vocal Microphones in several tiny venues recently and says its  performance "was amazing". Artists he has used it with include Conor Maynard, Sivu and the band Kowalski – with Lauryn Hill possibly next in line.

"She is such a stickler for her IEMs and wedges sounding great but also being very loud," he explains, "so that's going to be my next d:facto challenge."

Equally at home in sound reinforcement and recording applications, DPA's high quality d:facto II Vocal Microphone is designed to offer extraordinary natural sound, high separation from nearby sound sources and extreme sound level handling. Its supercardioid pattern and superb definition gives high separation and true sound colour on stage. A three-stage pop protection grid built into the microphone removes unwanted noise.

The d:facto Vocal Microphone provides improved audio performance as it is linear in frequency and phase, both on- and off-axis, while its impressive definition and accuracy reproduces a singer’s voice effortlessly. The flexibility of its adapter system gives the user simple and affordable possibilities of choosing either a wired DPA handle or the professional wireless system of their choosing, with no loss in sound quality.

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About Richard Gough
Originally from Northern Ireland, Gough has toured with the likes of Muse, Radiohead, Van Morrison and Sigur Ros. He runs his own company, Noiseboi, and has recently worked with Lauryn Hill as Production Manager and Monitor Engineer and Conor Maynard as Monitor Engineer.

For more information, please visit www.noiseboi.com

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

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