Inside Audio
 
Mar 24, 2014 / 08:17PM
The Difficulties of Getting a Great Mix to Air
I started mixing for television in the late 1970’s during the good old analog days when TV audio was more of an afterthought than it is now
Feb 04, 2014 / 04:30 PM
Is It Time to Redesign Audio Console Surfaces?
In this column, we’ll examine a topic I’ve been contemplating for awhile: large-format digital audio console surface design; the problems with it and why it may be time for a change.
Jan 23, 2014 / 01:44 PM
Audio Topics for the New Year
Whether this year will be as surprising as last year is anyone’s guess, but there are a few topics I think will be the big stories in television audio this year.
Jan 03, 2014 / 02:00 PM
Audio Objects for 4KTV
The current buzz in the television industry is all about the promise of 4K, yet most of the talk is centered on video quality, with very little being said about the audio that supports the image.
Oct 07, 2013 / 12:00 AM
The Other Social Networking for TV Pros
We’re taking a brief detour from technical audio topics to examine something that could be key to a sustained career in the modern television industry.
Jul 31, 2013 / 11:00 PM
Measuring Downmix Loudness
With so many people listening to downmixed audio in so many places, it is now essential to insure the loudness levels of downmixes are correct.
Jun 12, 2013 / 09:00 AM
Loudness Content Management for TV Audio Mixers
It seems that most discussions about loudness management tend to focus on distribution as opposed to the content creation side of the chain.
Apr 24, 2013 / 05:00 PM
Automatically CALM
Like many of you, one of the issues I’ve had to deal with recently was how to comply with the CALM Act.
Feb 21, 2013 / 02:00PM
Has It Really Been 15 Years?
We also seem to have fractured our physical audio delivery systems into four distinctly different genres, all served by the same HD digital audio feed embedded in our productions.
Dec 04, 2012 / 06:00PM
It’s Time to CALMly Take Stock
Alert readers may recall that for the past year I’ve been devoting most of this column to the CALM Act and the related issue of audio levels and loudness in broadcast television audio.
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