Equipment Reviews
McAdams On: Our Clunky Tech
It’s probably a form of sacrilege to refer to technology as “clunky” under the banner of a technology publication, but I refer primarily to what I use on a daily basis and how I’ve watched it evolve.
Auction-Displaced LPTV Costs Could Reach $1 Billion
McAdams On: Caveat Auctor
HBO, CBS Raise OTT Profile
McAdams On: SMPTE
Repercussions of Wheeler's 'Online Video' Blog
What Tom Said: About Appointment TV
IBC Reflections
Forward Thinker
C-SPAN Pay Wall Spotlights Multiplatform Challenge
It’s All Just ‘Television,’ Or Is It?
What Tom Said: Hatching the UHD Egg
Ready for YouTube’s Networks
CableCARD: Acknowledge the Inevitable
McAdams On: Ferguson Unraveling
A Look Back at Broadcast Engineering Magazine
 
Nov 12, 2014 / 01:00 PM
Hitachi’s Z-HD6000 HDTV Production Camera
Studio-configuration cameras have advanced technologically a great deal in the last few years, and Hitachi is a strong contender in this area.
Nov 07, 2014 / 09:00 AM
HD Camera Monitor Shines in Field
Trying to focus with only a camera’s viewfinder or 3.5-inch flip-out display can lead to disappointment at edit time, as you discover that critical shots are just a bit out of focus.
Nov 06, 2014 / 04:02 PM
ProAm USA’s Autopilot Camera Stabilizer
The ProAm USA Autopilot is a compact, lightweight camera stabilizer designed to eliminate unwanted camera movement with a minimum of mechanical intervention.
Oct 14, 2014 / 11:00 AM
Panasonic’s AJ-PX270 Micro P2 Camcorder
Panasonic has now released VariCam technology in a much smaller, less expensive package.
Oct 13, 2014 / 01:00 AM
Triveni Streamscope Portal
Even though I’ve been in this industry for more than three decades, it’s still exciting to see test gear that makes troubleshooting easier.
Oct 06, 2014 / 03:37 PM
Vinten’s blueBridge Tripod Adapter
Once upon a time (barely a decade ago), it wasn’t unusual to shoot many projects—large and small— with a single, medium-to-large video camera and tripod.
Aug 21, 2014 / 02:12 PM
Shure VP83F Shotgun Microphone
Cameras get all the attention, but good audio can make the difference between an average video production and a great video production.
Aug 21, 2014 / 10:00 AM
JK’s Outerloop, innkeeper and Interchange
A production facility (remote or studio) can have the latest live UHD video gear, along with the cleanest AES digital audio plant on the planet; however, if communications among personnel suffer during the show, the product is likely going to suffer as well.
Aug 20, 2014 / 10:10 PM
Canon’s EF 28-300 mm USM L IS Lens
There are multiple sets of prime lenses now available for use with DSLRs and large sensor digital cine cameras available in various price ranges.
Jun 04, 2014 / 06:00 PM
NAB Show Product Review: Cameras
A fairly recent NAB Show tradition has been to play “Who’da thunk they’d start building cameras?”
12345678910...Last >>





 
 
Featured Articles
Discover TV Technology