Audio by Design
NAB 2015: Notes From the Floor on Three-Sensor 4K Cameras
At the 2014 NAB, Grass Valley dropped a bombshell when it introduced a three-sensor 4K camera, employing 2/3-inch CMOS chips, referred to as B4 mount.
McAdams On: The Ongoing Transition
What to Expect at 2015 NAB
McAdams On: TV Stations With No Signal
Gearing Up for the 2015 NAB Show
What Tom Said: Hollywood Stays In Control (For Now)
Remembering the Early Days of L.A. Television
Amazon’s Agenda Fits Streaming Expectations From Researchers
500 MHz
What Tom Said: The Push for Drones
Locating Shows Becomes a Cross-Platform Challenge
McAdams On: Title II Overkill
Broadcast’s Future Depends On Consumer Electronics
The More Things Change
McAdams On: 2015
Archiving: Maintaining Relevance for the Future
 
Jan 27, 2015 / 11:00 AM
Acoustic Design for Multichannel Audio Control Rooms
As the shift to 5.1 and beyond surround sound mixing rooms continues—with the potential for immersive audio on the horizon—there have been some new thoughts on the internal acoustical design.
Dec 22, 2014 / 01:18PM
A Treasure Trove of Audio History Can Be Found Online
My early audio and engineering education wasn’t just fashioned from textbooks and classroom lectures.
Oct 25, 2014 / 02:00 PM
A/V Fingerprinting—Transporting, Binding and Applications
Audio and video fingerprints are bits of data derived from certain characteristics of each type of content.
Oct 15, 2014 / 02:00 PM
Discovery Launches New Audio Edit Suites
As Discovery Communications launches more feeds around the globe, the volume of audio work at the Discovery Creative and Technology Center in Silver Spring, Md. is increasing
Sep 22, 2014 / 04:35 AM
‘Book ’Em, Danno’: A/V Fingerprinting
Audio and video are about to get fingerprinted. Despite much success and many valiant efforts to keep them aligned, often enough these miscreants head off at their own speed, drift apart and cause lip-sync problems.
Aug 04, 2014 / 05:00 AM
For AES67, Timing is Everything
A brilliant decision in developing the recent audio-over-IP standard, AES67-2013, was basing it on existing protocols.
Jun 27, 2014 / 02:40 PM
Implementing Loudness Processing
How do file-based and real-time loudness processors fit into an overall facility audio system?
Apr 21, 2014 / 11:11 AM
File-Based Loudness Processors
File-based loudness processing, as one might expect, operates on audio files, either standalone, or extracted from an audio/video file such as MXF.
Mar 04, 2014 / 07:00 PM
The Role of Real-Time Processors in Loudness Metering and Correction
As a practical matter— to ensure compliance with the CALM Act or to produce deliverables to a specific loudness target—stations and content-producing facilities are relying more on loudness processors to automatically make adjustments to the audio content.
Jan 24, 2014 / 05:52 PM
AES67-2013 Looks at Audio Over IP
As new technologies emerge they add to and complement what’s come before, or replace existing structures.
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