NEW YORK -- When New York’s NY1 24-hour news channel launched 20 years ago, the
nation was preoccupied with a hotly contested presidential election, while
Europe had just finished a successful Summer Games. In the two decades
since, a lot of history has taken place in the nation’s largest media market, all
documented on what is now considered the largest regional televised news
media outlet in the country.
NY1 was conceived by Richard
Aurelio, the president of Time Warner
Cable’s New York City cable group,
and launched Sept. 8, 1992. Among
the headlines of the day was the aftermath
of a U.S. Postal Building collapse
that occurred in Manhattan. Luckily,
NY1 news crews had covered the event
in rehearsals before the channel’s
official launch. “We had reporters
there and nobody knew who we were
and officials were sort of looking at us
funny, like ‘who are you guys?,’” said
Steve Paulus, senior vice president and
general manager for NY1, and one of
its founders.
DESIGNING THE LOOK
Officials would soon learn more about
the fledgling network as it quickly
ingratiated itself into the city’s media
landscape. For the few regional news
networks that existed in 1992, the
concept of 24-hour news consisted of a
taped hour of news, repeated continuously
throughout the day. If news
broke, anchors would have to break
into the existing programming for live
updates. Paulus found this method
“inelegant.”
“Our goal was, ‘let’s try to minimize
expense by recording content that
we’re going to repeat, but still have the
flexibility to go live when there’s breaking
news,’” he said.
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NY1 master control in 2011. |
The solution was
to create every story and rundown as
a separate tape, played out on a Sony
LMS1000. “There was no server-based
playback technology back then, just a
cart machine,” Paulus said.
Designing the look and schedule of
NY1’s programming was just as important
then as it is now. Story transitions
“had to be as transparent as possible
so when you’re watching it, you didn’t
know it was prerecorded,” Paulus
said. “After we launched, I would
talk to folks in the industry and they
all remarked ‘wow, it’s a really clean
show.’ When I told them we pretty
much recorded everything, they looked
at me like, ‘you’re kidding.’ They had
no idea.”
At its launch, NY1 had a total of 94
employees; today, including freelancers,
the news staff has swelled to more
than 300. The network counts about
1.6 million viewers in New York City
and is seen across New York State as
well as in cable systems in New Jersey,
North Carolina and Florida. A Spanish-language version, NY1 Noticias,
launched nine years ago with its own
separate news staff. The network has
its own mobile device apps, VOD
channel and four 24-hour traffic
channels. It’s currently developing a
paywall site with premium content
for Time Warner Cable subscribers.
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The NY1 newsroom amid a
redesign in 1999. |
GROUNDBREAKING TECHNOLOGY
A pioneer in the field of newsgathering,
NY1 was among the first stations
in a major market to develop the
concept of “one-man-band” journalists.
The early ’90s was a time of
shrinking news cameras, fueled by
the development of the new formats
such as Sony’s Hi-8.
“The reporter as the shooter—we
were the first station in New York to
do it,” said Joe Truncale, group vice
president of operations, TWC, local
news and programming. “We started
shooting on Hi-8 cameras and migrated
to [Panasonic’s] DVCPRO, which
was like moving from the horse and
cart to a Lamborghini.” NY1 was the
first station
to launch
DVCPRO in
the United
States in 1996,
Truncale
added.
NY1 was
also the first
customer to
use Panasonic P2, rolling out the
solid-state format in 2004. John
Baisley, executive vice president
with Panasonic System Communications
Company of North America,
acknowledged NY1’s role in the
format’s development. “A flagship
DVCPRO customer, NY1 gave us
invaluable input in the development
of P2,” Baisley said. “Indeed, NY1
became the very first customer for
the format, and showcased the P2
workflow at the 2004 Republican
National Convention in New York.
NY1, with its nimble, urban ethos,
was the perfect proving ground for
tapeless, solid-state field production.”
The network’s transition to a file-based
workflow started several years
earlier with its move to the Chelsea
Market building in 2002. The first
incarnation of this new infrastructure
consisted of Omnibus automation,
ENPS newsroom, Pinnacle Vortex
and Vertigo graphics.
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The NY1 newsroom in 2010. |
The system
went through a second upgrade in
2009 and is now based on P2 edited
on Apple Final Cut Pro and Dalet,
stored on Omneon servers in a Dalet
news automation/media asset management
environment. As for ENG,
Truncale said they’re currently testing
Dejero’s IP-based platform to do live
shots from an iPhone, for example.
“Whenever we can, we try to push
the envelope,” he said. “I think
people expect it of us.”
In New York, NY1 is currently
upconverting its signal to 16:9 HD,
but Truncale said the network hopes
to begin transitioning all of the news
channels to hi-def in 2013.
ALL NEW YORK
As a prominent news outlet in New
York, NY1 reflects the people and
moods of the city and at no time was
this more evident than on 9/11.
“It was clearly the watershed
experience for all of us,” Paulus said.
“We stayed on
the air for two
weeks without
a commercial,
continuously
live. When
[then Mayor]
Rudy Giuliani
left the building
he had taken
refuge in, his first phone call was to
the White House and his second call
was a live interview on NY1.”
Paulus admits that Giuliani is not
NY1’s biggest fan, however. NY1’s
relationship with the city’s pols has
resulted in run-ins over the years, he
said. “[Former Mayor David] Dinkins
blamed us for losing the election and
Guiliani blamed us for almost not
winning the election,” Paulus said.
Acknowledging the fact that NY1 is
not out to win accolades from the local
officials, he said, “clearly we must
be doing something right.”