LOS ANGELES: Beginning Dec. 13, U.S. television
program providers will be required
to not only meet loudness limits but also to
demonstrate compliance through accurate
logging and reporting of levels.
Initially introducing hardware products
to control loudness during the transition
from analog to digital transmission, manufacturers
worldwide have increasingly been
introducing software solutions—some
standalone, some integrated into other platforms—
that ensure and demonstrate compliance
of file-based and streaming television
audio.
ALLIANCES AND INTEGRATION
Digital Nirvana’s flagship Monitor IQ offers
loudness monitoring and audio logging
capability that includes Minnetonka Audio
Software’s AudioTools family of measurement
products. Broadly adopted by European
broadcasters, Minnetonka software
provides loudness monitoring and logging
of most audio standards, including Dolby
Digital, Dolby Digital Plus, and Dolby E.
“Like many aspects of digital audio processing,
loudness monitoring is extremely
complex,” said Ned Chini, vice president of
sales and marketing for Digital Nirvana. “Our
customers can rely implicitly upon Minnetonka
Audio’s software within Monitor
IQ to evaluate all common audio formats in
their plant, and alert them whenever audio
loudness exceeds acceptable limits.”
Thomson Video Networks announced a
strategic partnership at the 2012 NAB Show
that allows the company to integrate Jünger
Audio’s Level Magic into its ViBE encoding
platform. The technology will be incorporated
into new ViBE products beginning Q3
2012, the company reports. ViBE EM4000
and VS7000 users will also be able to upgrade
their software.
Jünger Audio has launched a new Loudness
Logging Toolset software upgrade that
operates with the company’s entire range
of leveling hardware processors, including
recent versions of the C8000 system’s Level
Magic II cards, and enables broadcasters to
monitor in real time or analyze previously
stored loudness log files offline. The software
can be licensed per Windows PC and
is USB dongle protected.
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Miranda’s Kaleido-Solo loudness monitoring and logging system is a key component of its new end-to-end, loudness monitoring, logging and correction solution. |
Linear Acoustic’s AERO.file, designed
in collaboration
with RadiantGrid
Technologies, offers
multiband dynamic
range and
loudness control,
up/downmixing
and transcoding
to a wide range of
audio file formats.
AERO.file passes
through video
streams of any type
while separately
performing audio
functions.
“By combining
our AERO.qc
processing with
RadiantGrid transwrapping and TrueGrid
transcoding technologies, users will be able
to correct and format converted audio all
within one very fast solution,” explained Tim
Carroll, founder/president, Linear Acoustic.
Mediaproxy out of Australia, specializes
in monitoring and logging solutions, so it
should come as no surprise that the company
added a loudness component to its
LogServer and LogServer ASI products earlier
this year. According to Erik Otto, CEO,
Mediaproxy, “Our goal with loudness monitoring
technology was twofold. Firstly, it had
to enable broadcast service providers to
address and maintain loudness regulations
around the world. Secondly, access to loudness
data needed to be seamless to enable
users to easily export or burn-in data into
sub clips as proof of compliance to address
complaints efficiently. We have addressed
both at the highest possible level and at no
additional cost to customers when purchasing
LogServer systems.”
AVOIDING THE REMOTE
Miranda Technologies has added segment-
aware loudness monitoring and logging
to its Kaleido series multiviewers and
real-time loudness correction processors.
Miranda’s Enterprise Suite also now offers
file-based processing, applying loudness
correction while maintaining the original
content’s full dynamic range. Miranda’s new
Intelligent Automatic Loudness Correction
automatically detects whether to apply processing or pass through processed content.
As Marco Lopez, Miranda’s senior vice
president, infrastructure, routers and monitoring,
commented, “Loudness control is
not just about compliance, it’s also about
preventing viewers from reaching for their
remotes to adjust the volume. As everyone is
all too aware, that remote can also tune the
television to a competitor’s channel.”
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Triveni StreamScope MT-40 |
Qualis Audio announced
a firmware update in April
for its Sentinel Surround
Sound Audio Monitor that allows
simultaneous loudness
measurement of a surround
sound program and its stereo
downmix. The update also
enables loudness measurement
according to BS.1770-
1 or BS.1770-2, and automatically
creates reports of
loudness conformance with
CALM Act requirements.
Tektronix has integrated
the audio loudness correction
technology used in Dolby’s DP600 Program
Optimizer into its Cerify automated
file-based quality control platform. The
collaboration allows Cerify to test audio/
video content and automatically correct
audio content in real time based on those
test results.
The single-step combined QC and correction
process benefits operators through
lower capital expenditures, reduced integration
complexity and shorter workflow
length, according to Tektronix. Cerify
scales to run on a range of platforms from
standalone Windows-based workstations
to enterprise-wide solutions that interface
to third party automation or asset management
systems.
Triveni Digital has enhanced its Stream-
Scope MT-40 real-time DTV transport
stream analysis and verification product
to include CALM support. The new capabilities
allow users to monitor and analyze
audio loudness according to BS.1770 and
continuously log and export accurate loudness
measurements of broadcasts in real
time, while additionally providing evidence
of CALM Act compliance. StreamScope MT-
40 provides the same level of analysis for
mobile DTV as for terrestrial DTV.
Of course, even hardward has its “soft”
side: TSL’s PAM2 MK2 recently underwent
some enhancements that allow
the export of onboard bargraph,
loudness and data displays from the
SDI monitor output to an outboard
video monitor or to the production
staff facility-wide via the plant’s SDI
routing infrastructure.
Harris has added loudness compliance
to its Videotek MSA-100
and MSA-300 Multi-Source Analyzer
Series products. The new option,
dubbed MSA-OPT-LOUD, measures
input signals and issues alarms for
non-compliant audio.
Harris showed a software upgrade
prototype at this year’s NAB that integrates
its LLM-1770 loudness logger
and monitor with Harris ADC
automation. The upgrade provides
as-run records of loudness levels for
recently aired programming.
Volicon extended the capabilities of
its Observer loudness monitoring module
earlier this year, enhancing its graphing,
reporting and real-time alert features. In
order to compare the ad loudness to surrounding
content, Volicon’s Observer system
measures momentary, short-term and
integrated measurements, with adjustable
short-form (less than two minutes) and
long-form (days) time frames.
The platform also includes A/V logging
and an array of measurement functions for
demonstrating compliance, including the
ability to view and export A/V affidavits
with audio, video and frame-accurate loudness
measurements burned in, thereby
enabling fast resolution of loudness complaints.