ALEXANDRIA, VA.—In the wake of the
Consumer Electronics Show, where all-things-
Ultra HDTV garnered the most buzz,
the looming question now is what are the
next steps for 4K television?
The many proponents of 4K television—
which boasts four times the image
quality of HD—are busy working on
potential delivery modes, as well as the
launch of 4K content creation, even while
work progresses simultaneously in Japan
on 8K.
“It seems a shame, after NHK had been using ‘UHDTV’
for years to refer to 8K, for it suddenly to
be applied to 4K,” said broadcast engineering
icon Mark Schubin, host of the Hollywood
Post Alliance Tech Retreat in February, where 4K was examined. “What will we call 8K when it
comes around? What’s beyond ‘Ultra’?”
In these very early days (the Consumer
Electronics Association predicts less than
25,000 UHD units will be sold in America
in 2013), Schubin said “the industry needs
to consider what delivers more of an enhanced
experience—higher resolution or
higher frame rate. Doubling the frame rate
doubles the uncompressed data; doubling
the resolution in any direction quadruples
the uncompressed data.”
Meanwhile, the Japanese government
announced the pending launch of NHK’s
first 4K broadcasts in July 2014, about two
years ahead of schedule.
DELIVERING THE GOODS
Like all new technologies, UHDTV has
its share of challenges, according to Hugo
Gaggioni, chief technology officer of Sony
Broadcast & Production Systems. “We
know we have to live with 6 MHz frequency
allocations and, hence, we’ll require
more advanced coding and digital modulation
technologies to accommodate the
larger amount of data that represents [4K]
signals,” he said. “Both of these have been
achieved, to a large extent, from technology
proof-of-concept perspectives.”
Modulation chips already exist, Gaggioni
said, while companies are busy preparing
coding devices based on HEVC
(H.265) compression—a standard formally
approved by the International Telecommunications
Union in late January. This High
Efficiency Video Coding compression
eventually will enable higher resolution
and other broadcast services not possible
today, via ATSC 3.0.
 |
| Masayuki Sugawara, NHK executive research engineer |
Broadcast delivery of UHDTV is part of
a “wide range” of services planned for ATSC
3.0, currently under development from
the Advanced
Television Systems
Committee,
according
to association
President Mark
Richer. “It may
take a while
before we see
a significant
amount of 4K
content delivered
to the
home,” Richer
said. “Among
other things, UHDTV
[sets] could be used to display multiple
applications simultaneously in different
parts of the [large] screen.”
Masayuki Sugawara, executive research
engineer with NHK believes developments
are necessary in every part of the
broadcast chain before launching 4K
broadcasting—“especially bandwidth,” he
said. “The most promising coding system
for 8K/4K broadcasting is the HEVC system,
[but] what we need is early implementation
on transmitters and receivers
at low costs. [NHK] considers 4K as a
‘pass point’ and it is best to focus on the
migration to 8K as soon as possible,” Sugawara
said.
Matthew Goldman, senior vice president
of TV Compression Technology at Ericsson
Television, thinks recent broadcast
investment in today’s digital HD will make
it tougher to justify an upgrade to UHD
since the costs for HD conversion have not
been fully amortized. “Still, since this is a
second or third evolution of digital television—
depending how SD and HD are considered—
most professional products will
become UHD/4K-ready quickly,” Goldman
said.
PBS Chief Technology Officer John McCoskey believes “although cable and satellite
household penetration is high, the vast
majority of local
broadcast
channels carried
on those
services are delivered
to MVPDs
by over-the-air
signals, so
broadcast is
still quite relevant
in any delivery
of UHD.
Current [DTV]
technology is
now 15-to-20
years old, so we, as an industry, will have
to look at shifting to a new set of standards
in the next five to ten years anyway. It will
make sense to capture UHD capability in
that shift.”
CONTEMPLATING CONTENT
One new delivery scheme for early
adopters that could help boost 4K home
viewing is Red Digital Cinema’s ongoing
rollout of its REDray 4K Cinema Player,
which boasts a 1TB hard drive. Believed
to be the first plug-and-play 4K player
in North America, Red’s device carries a
MSRP of under $1,500 and uses a single
HDMI 1.4 cable. Red says its new player
will deliver 4K resolution at data rates lower
than Blu-ray’s 1080p. (It was previewed
at the 2012 NAB Show, demo-ed at CES and
will do an encore at NAB.)
Meanwhile, initial 4K TV content is being
readied, but not from TV sources, per
se—such as Sony’s announced conversion
of its Sony Pictures movie titles by this
summer for home viewing. McCoskey said
“we’ll see UHD [content] happen first in
non-broadcast distribution, starting in the
next year on a small scale, for those content
owners who have source material at
that resolution, as with [Sony Pictures].”
For PBS itself, McCoskey thinks any
prompting of 4K content might include a
familiar “food chain” scenario. “In the case
of HD, PBS had set a date after which we
would not accept anything but HD content
from our producers. With a few years’
warning—and with respect for equipment
replacement cycles of producers—that
approach would likely work in the future.
Of course, we’re not going to do that until
there is a clear industry trend.”
Goldman said starting now, “Content acquisition
must be mastered in the highest
picture quality possible, even if the roll-out
of UHD to the home is not yet feasible.
This will jumpstart the pipeline of content
availability. Masters can be downconverted
to HD for traditional usage. The goal, of
course, is to make the consumer presentation
compelling—the ‘wow factor’—hopefully
in a similar fashion as HD was to SD.”
McCoskey said “just as you can’t buy
an [SD] camera today, I predict in a few
years the same will be true for HD. Source
content will be available, displays will be
widely available and more affordable, and
non-broadcast distribution of UHD will
start to happen.”