Calrec Consoles Drive Audio During World Cup Coverage
Artemis consoles used to create mixes in 5.1 and stereo
July 28, 2014
HEBDEN BRIDGE, ENGLAND— The BBC relied on Calrec Audio’s digital audio consoles during its coverage of the FIFA World Cup beginning in June. The broadcaster used a combination of three rented consoles to mix the audio in Brazil for transmissions in the U.K.
At the International Broadcast Centre in Rio de Janeiro, two 24-fader Artemis Light consoles served as the first point of control in the signal path, responsible for submixing all sound associated with the matches and creating simultaneous 5.1 and stereo mixes. In addition, controlled commentary and controlled effects were passed on to all other users including the edit suits in the IBC, the various multiplatform control suites in the U.K., and the BBC's studio broadcasting center, also in Rio.
At the SBC, a 56-fader Artemis Beam was used to combine the submixes from the IBC with other sources, including studio mics, postproduction playbacks, contributions from venue reporters/presenters and audio-only playback such as music, sound effects and voice recordings. These were all mixed into final 5.1 and stereo feeds and then passed on to the transmission network in the U.K.
“Since the last World Cup there has been advancement in surround sound and loudness regulations, and this year the BBC has incorporated augmented-reality visual effects that bring their own set of audiovisual synchronization challenges,” Jim Green, Calrec's U.K. sales manager.