Originally featured on BroadcastEngineering.com
SNL DP deploys tapeless 4K workflow for '70s cop show spoof
Alex Buono, director of photography for the Saturday Night Live Film Unit, recently used the AJA Ki Pro Quad together with a Canon C500 camera to capture “Kanish,” a 1970s cop show spoof starring Zach Galifianakis and Bill Hader.
Ki Pro Quad tapeless recorder supports live de-Bayering of 4K Canon RAW camera data with simultaneous recording to Apple ProRes 422 or ProRes 444 files.
Buono has been working on SNL since 1999 and has recently been experimenting with a variety of 4K workflows on the show’s preproduced segments.
“We love the look of the Canon C500 camera, but with our production turnaround schedule, we don’t have time to deal with processing RAW camera files. We tried alternate 4K recording devices, but Ki Pro Quad is the only one that let us go straight from the camera to ProRes,” he said. “Not only do we save a ton of processing time, but we’re also chewing up way less hard drive space — uncompressed RAW ties up at least 1TB of storage per hour of footage; with Ki Pro Quad recording to ProRes, we’re down to less than 700GB per hour.”
Producing in 4K is important to NBC for production, post and archival purposes. Shooting in 4K today will make rebroadcasts to Ultra HD much simpler when that technology is widely adopted into the home. For NBC, shooting in 4K is a way to future-proof the show; for Buono and SNL Film Unit director/producer Rhys Thomas, the 4K resolution provides great options for reframing shots that today are still being delivered in 1080 and largely viewed at 720.
Buono likes shooting with the Canon C500 for its image quality and color accuracy. “One of the biggest compliments I can give the Ki Pro Quad is that the quality of the 444 ProRes files that came out of the unit looked exactly the same as the RAW Canon footage, and we had immediate access to them on set without having to go through hours of processing. To me, that alone makes using Ki Pro Quad a no-brainer.”