Phil Kurz /
12.06.2010 08:00 AM
Originally featured on
‘The New Merry Pranksters’ take on the Serengeti

“The New Merry Pranksters,” three adventurous directors of photography (DPs), set out in July 2010 to capture the beauty of the Serengeti Plains and other natural wonders of Tanzania.

The New Merry Pranksters, which include award-winning DP Robert Primes, ASC; DP Dan Kneece, president of the Society of Operating Cameramen; and DP Yousef Linjawi, who is completing his MFA degree in cinematography at Chapman University, were determined to give viewers a glimpse of precious, spontaneous scenes of wild animals interacting with each other on the Serengeti Plains.

The DP team hauled 10 heavy cases packed with more than $500,000 worth of borrowed state-of-the-art gear, including: a Sony PMW350 2/3in XDCAM memory shoulder-mount camcorder; a Fujinon HA25x16.5BERD Premier Series HD Super Telephoto ENG style lens with 2x extender, servo zoom and focus; a Fujinon ZA12x4.5BERD super wide-angle HD ENG lens with 2x extender; and a Fujinon TS-P58A optical stabilizer, which eliminates unwanted vibration and image shifting when shooting with high-magnification HD ENG telephoto lenses.

The Fujinon lenses and image stabilizer enabled the DPs to shoot stunning animal closeups at long distances. The result is a treasure trove of more than 100 hours of spectacular wildlife scenes now being crafted into an enlightening film.

(Kneece and Primes explain how they employed the Fujinon stabilizer and HA25x for this project in an online video. Primes detailed the crew’s African adventure in a blog.)

Post New Comment
If you are already a member, or would like to receive email alerts as new comments are
made, please login or register.

Enter the code shown above:

(Note: If you cannot read the numbers in the above
image, reload the page to generate a new one.)

No Comments Found

Thursday 11:07 AM
The Best Deconstruction of a 4K Shoot You'll Ever Read
With higher resolutions and larger HD screens, wide shots using very wide lenses can be a problem because they allow viewers to see that infinity doesn’t quite resolve into perfect sharpness.

Featured Articles
Exhibitions & Events
Discover TV Technology