|
Date
|
Story title |
| (08.09.06) |
Once Upon a Time,There Were Keylights
It seems that the world is conspiring against the traditional keylight.
|
| (05.10.06) |
Getting Help: When 'RTFM' is Not Enough
One of the great joys of working with complex equipment is the total unpredictability of the ways that it may choose not to work as expected.
|
| (03.08.06) |
Knowing When How Much is Enough
I suppose that it's just another example of market forces at work, but still I'm troubled by the constant escalation of what are usually referred to as "production values" in the shows that we make.
|
| (01.11.06) |
Creating Misty Effects
Atmospheric effects are often bundled together under the terms "fog" and "smoke," although they fall into four basic categories--smoke, haze, fog and heavy fog, each with different applications and peculiarities.
|
| (11.09.05) |
Creating the Picture, One Pixel at a Time
After a year as a lowly studio lighting technician, when I was finally admitted upstairs into the inner sanctum of the control room, I was impressed by all of the consoles, monitor bays and oscilloscopes that belonged to the video engineers.
|
| (10.05.05) |
Divide
and Conquer Your DMX Problems
In a lifetime engaged in the study of the multitudinous technical
manifestations of the One True Universal Law (Murphy's, of course),
I have managed to extract a single powerful theorem for use in fault
finding: It is folly to believe that similar symptoms are produced
by similar faults.
|
| (09.07.05) |
Finding
Fault with DMX
Despite having been a part of the lighting scene for almost 20 years,
the DMX512 control protocol still seems to be shrouded in mystery
for far too many of its users.
|
| (08.03.05) |
Oh, Please Give Me a Sine
Dimming is a dirty business. Ever since we gave up using resistance dimmers because they were big, heavy, expensive, inefficient, hot and very difficult to remotely control (and in the case of the saltwater variety, also smelly and toxic), we have been playing merry hell with our utility supply.
|
| (07.06.05) |
Taming
the Harsh Elements of Softlight
I finally found the light source I was looking for when I stumbled
across heavily diffused nine-light minibrutes (molefays) used in
TV commercials.
|
| (05.04.05) |
Specious
Specifications: Works of Fiction
Model numbers are just numbers and spec sheets have tended to become
works of speculative fiction.
|
| (04.06.05) |
Having
One of Those Hazy Days
Although widely employed in drama and music production, the complexity
of using atmospheric effects in television is not something to be
sneezed (or coughed) at.
|
| (03.09.05) |
DMX
Dialogue: The Device That Answers Back
Any DMX512 console can communicate with any DMX512 dimmer, effects
device or moving light. Today, there is a reasonable expectation
that if you follow a few basic rules, everything will work together
straight out of the box.
|
| (02.02.05) |
Lighting
Design: Spreading the Word
Getting your ideas across to directors, producers, clients and production
managers is vital to getting access to resources such as time, crew,
and money.
|
| (01.05.05) |
If
It Ain't Broke Now's the Time to Fix It
Because it's so unexciting, it's just too easy to put off equipment
maintenance until another day
|
| (12.08.04) |
Building
a 'Rock Solid Ethernet'
Building, configuring and troubleshooting Ethernet networks in a
production environment is imperative as we migrate from traditional
technology-specific data formats to commodity IT protocols.
|
| (11.10.04) |
Another
Olympic Achievement
In essence, the Sydney 2000 production was highly labor-intensive,
with large crowds of designers, technicians, production crews and
performers filling an entire stadium while the television audience
looked on.
|
| (09.08.04) |
The Digital
Talking Head
Despite all the revolutionary, paradigm-breaking shifts in production
formats, the human face remains the pivotal element of almost every
production.
|
| (08.04.04) |
Color
Temperature: So Many Variables
In this, the third and final chapter in the war of the color temperatures,
we deal with the weird stuff: The unnatural light that comes from
sources that either don't emit the full range of the visible spectrum
or where the balance of colors is way off the beaten track.
|
| (07.07.04) |
Color
Temperature: The Battle Rages On
There are a formidable variety of correction filters available to
aid us in the battle of the color temperature.
|
| (05.05.04) |
Picking
a Winner in the Color Temperature Wars
Every day we are forced to pick a winner in the color temperature
battle that rages all around us .
|
| (04.07.04) |
HDTV
Redefined
Now that high definition television is finally a reality, the fun
really begins, as we decide what to do with all of those extra,
digitally defined pixels.
|
| (03.10.04) |
Programming
By the Book
Lighting for television is a field of endeavor that has failed to
capture the imagination of most book publishers.
|
| (02.04.04) |
The
Shape of (Some) Things to Come
Having now made all my excuses and safely covered myself against
any future accusations of lack of foresight, there are some trends
for changes in our business that are worth noting.
|
| (12.10.03) |
Whose
Vision Is It Anyway?
Almost every production represents an opportunity for its production
team to continually refine its vision, no matter how imperceptibly.
|
| (10.10.03) |
Moving
Right Along ...
One sure sight that remote-controlled, motorized lighting has
just about made it into the mainstream is its most recent name change.
|
| (09.03.03) |
Off-Color
Television
Recently I was approached for some (free) advice by a group
of young enthusiasts who were setting up a video production facility.
|
| (07.09.03) |
Dimming:
In Forward And Reverse
Dimmers have quietly become the least spectacular and least
controversial devices in the lighting inventory.
|
| (05.14.03) |
Live
From the Rainforest
There is hardly an area of rainforest anywhere in the world
that doesn't have a production crew lurking somewhere within it.
|
| (03.05.03) |
Projecting
a Good Image
If there is any one aspect of lighting technology that has progressed
most rapidly in the last half-dozen years, it would have to be our
ability to include projected images in our productions.
|
| (02.05.03) |
There's
a Console In My Computer
Of course, the invention of the microprocessor changed our world forever.
Lighting enthusiastically embraced this technology, to the point where
quite possibly the only device in your inventory without its own CPU
is your pocket Maglite |
| (12.11.02) |
Internet
Illuminations
Although I love to ride the wave of technology that is our industry,
I have to admit that I initially overlooked the implications of
the World Wide Web for lighting.
|
| (10.09.02) |
Scene
But Not Heard
I am forced to admit that we in the lighting profession can
be a source of unwanted noises for our audio brethren.
|
| (09.04.02) |
Lost for
Words
It seems to me that every time I just about have a grasp on
the terminology in our industry, some bright spark comes up with
a new concept. This inevitably brings much confusion until we either
settle on new terminology, or worse yet, accept new meanings for
existing terms.
|
| (07.10.02) |
Mercury
Falling
It's pretty hard to go a whole day without using a metal halide
discharge lamp. Even if you could manage for a single day, or even
a week, think about the impact of doing without them altogether.
Think very hard.
|
| (05.01.02) |
Light
Falling on Deaf Ears
I recently wasted part of an otherwise perfectly good evening
watching a few segments of the four-and-a-half hour Academy Awards
presentation. From time to time I torture myself with these broadcasts,
just to see what the people with big budgets are doing.
|
| (04.03.02) |
Custom
Gobos on The Fly
In the right hands, gobo projection from ellipsoidal reflector
spots (ERS) can be a very powerful production tool. |
| (02.06.02) |
Crossing
the Line
Weve been hearing about convergence in our industry for quite
a few years now. Indeed, in recent years, some of the most significant
changes in the structure and ownership of the industry have been undertaken
in the name of media convergence. |
| (01.23.02) |
Lighting
for EFP
Lighting for electronic field production (EFP) must surely date
from the first portable broadcast-quality video camera system: the
Ampex VR-3000. |