|
Date
|
Story title |
| (07.12.06) |
Developments in LCD Backlights
The cathode ray tube that until recent years served as the principal television and video display device generates its own light.
|
| (05.10.06) |
The Next Step in HDTV: Super Hi-Vision
Those who have been involved in the television industry for a while might remember that the first HDTV system to be commercialized was the Hi-Vision system.
|
| (03.08.06) |
Hi-Def DVDs Are Finally Here
We are all aware that high-definition DVDs have been a long time coming, and as ever with A/V recording technology, two incompatible formats are vying for the hearts of consumers.
|
| (01.11.06) |
What Time is It?
Television engineers are quite aware of the importance of the accurate measurement of time. Precise frequency references as well as an accurate knowledge of the time of day have always been critical in television.
|
| (12.07.05) |
Maybe the CRT Isn't Quite Dead Yet
You may be hearing about the demise of the venerable CRT, which has been the display device used in most of the TV sets we have watched since television became a commercial reality.
|
| (10.05.05) |
1080p Displays:
In Search of Applications
If you have attended any recent tradeshow featuring displays or
paid attention to the display press, you will have seen and heard
about 1080p displays.
|
| (09.07.05) |
EBU
Likes Progressive Scan HDTV
Although the HD-MAC experience caused European broadcasters to question
whether HDTV would ever be viable in Europe, the situation is rather
different now from 12 years ago. There are three reasons to indicate
the time for HDTV has come in Europe.
|
| (08.03.05) |
A Primer on
Advanced 24p
The 24 fps film format has been used on television since television
began.
|
| (07.06.05) |
Is Film Becoming
an Endangered Species?
Video successfully supplanted film in newsgathering long ago, but
in spite of the video recording industry's best efforts, film prevailed
as the capture method for theatrical movies and primetime television.
That tide appears to be turning.
|
| (05.04.05) |
CRTs
Give Way to New Era of Display Technology
Today, it is apparent that the venerable CRT television set that
we have been watching since the 1950s is living on borrowed time.
|
| (04.06.05) |
One-Chip
Sensors -- The Bayer Pattern
Single-chip video cameras have traditionally been largely lower-cost
consumer devices, but some professional video cameras, notably some
video cameras designed to replace motion-film cameras, now use single-chip
sensors.
|
| (03.09.05) |
MPEG-4
Advanced Video Coding Emerges
As might be expected, there are some differences between U.S. HDTV
and European HDTV.
|
| (02.02.05) |
Twenty
Years in TV Technology
A lot of television technology has come and gone since 1985, and
we will take a quick look at some of the high points in those two
decades.
|
| (01.05.05) |
HDTV and
the Resolving Power of the Eye
What is the relationship between resolving power, screen resolution
and viewing distance from the screen?
|
| (12.08.04) |
Achieving
Full-Res HD with the 2K Projector
The 2K chip, as its name implies, has 2,048 horizontal mirrors and
1,080 vertical rows or lines, which permits mapping 1920 x 1080
HD images directly onto the pixel array.
|
| (11.10.04) |
LCD
Displays: Fixing the Problems
Principal shortcomings, we will recall, include narrow viewing angles
and slow response times. Let's look at how one shortcoming is being
addressed.
|
| (10.06.04) |
Added Video Effects
Aggravate Lip-Sync
Going digital has solved a number of the technical problems we had
in the analog television era, but it has generated a few of its
own.
|
| (09.08.04) |
Audio On Videotape
Back in 1987, TV Technology published an article that briefly traced
the historical evolution of audio recording on videotape formats,
and held that audio was clearly subordinate to video in early VTR
designs.
|
| (08.04.04) |
HDTV:
From 1925 to 1994
Inevitably, shortly after it became feasible to transmit intelligence
through the air using electromagnetic waves, people began thinking
about and experimenting with using the wireless to transmit visual
images.
|
| (07.07.04) |
Lamps
for Microdisplay Projection
We have recently taken a look at some of the older and the newer
ways television pictures are shown, considering both direct-view
displays and projection displays. It is fair to say that one of
the strong trends in the television display business is the increasing
proportion of projection displays being purchased.
|
| (04.07.04) |
Display
Resolution
We have recently examined television display technologies old and
new; now we'll look at the spatial resolution capabilities of the
display technologies that are commonly used in television and video
today.
|
| (03.10.04) |
Advanced
Displays, Pt. II
Last month, we looked at television and video displays, old and
new, examining the venerable cathode ray tube in both its direct
view and its projector roles, and the newest projection technology
commonly found, micromirror semiconductors. Two other display technologies
are finding increasingly frequent use today: liquid crystal and
plasma.
|
| (02.04.04) |
Displays,
Old and New
The emergence of HDTV and the consequent demand for larger screens,
along with the rapid development of alternative technologies, has
resulted in the venerable CRT television display being strongly
challenged by other types of display devices. What are the most
prevalent TV display devices available, and how do they work?
|
| (01.07.04) |
ATSC
Recommends AV Sync Rules
Audio-video synchronization has been one of the major casualties
of the DTV era. The industry has become well-aware of this problem
|
| (11.12.03) |
Aspect
Ratio: It Used to Be Easy
Although aspect ratio has always been a factor in television,
for many decades only one aspect ratio was available: 4:3. With
apologies to accomplished punsters, that picture has changed.
|
| (09.17.03) |
Two
Decades of TV Technology
As we celebrate TV Technology's 20th anniversary, it seems the
perfect time to take a look back over our collective shoulders and
see just how far television technology has come in the past 20 years.
|
| (08.06.03) |
Audio
for HDTV: Then and Now
Way back in 1990, the International Telecommu-nications Union's
CCIR, or International Radio Consultative Committee, got a jump
on audio for HDTV.
|
| (07.09.03) |
Digital
Audio Sample Rates: The 48 kHz Question
"How did 48 kHz emerge as the professional digital audio sample
rate?" As we will see, television had a great influence on this
number.
|
| (05.14.03) |
A/V
Synchronization: How Bad Is Bad?
There have recently been a number of complaints registered in this
publication and others about bad audio/video synchronization, also
known as bad lip-sync. These artifacts of the digital age have been
with us for some time now, but the potential for them to become more
severe is growing apace, as we subject television audio and video
to increasingly long chains of digital processing. |
| (04.07.03) |
The
Elusive Film Look
A recent BBC Research White Paper entitled "The Film Look: It's Not
Just Jerky Motion....," written by Alan Roberts (BBC R&D White Paper
WHP 053), examines the numerous attempts to make video look more like
film. |
| (03.05.03) |
Digital
Audio On Analog Television
We are now broadcasting digital video and audio routinely on DTV stations,
but some might not be aware that in some countries of the world, digital
audio has for some time been broadcast on analog television stations.
|
| (01.08.03) |
Why
Do We Interlace?
We're familiar with interlaced scanning; we know that it has its problems,
but we have to live with them in the NTSC world. What about DTV? Do
we have to live with the problems of interlace in the DTV world? |
| (11.13.02) |
What Is
Modulation Transfer Function?
In an earlier column, we spoke of the maximum resolution capability
of a film stock, expressed in line pairs per millimeter. Although
this is a valuable parameter with which to establish a frame of
reference, we said at the time that things are really more complex
than a single number, and we mentioned the concept of modulation
transfer function (MTF). What is MTF, and what may we determine
from it?
|
| (08.07.02) |
24P
Video: Is Film Dead Again?
It must have been soon after the invention of the videotape
recorder that the first predictions of the demise of film arose.
The latest perceived threat to celluloid (well, not really celluloid)
is 1080P/24 fps video.
|
| (07.10.02) |
What
is 4:2:2?
4:4:4, 4:2:2, 4:2:0 -- what do these numbers mean, and where
did they come from?
|
| (05.01.02) |
Component
Digital Video
The search for a higher quality, more robust and more "processable"
video signal ultimately led us to component digital video. |
| (03.20.02) |
What Is White?
When we looked at color and color mixing, one of the things we examined
was the fact that when red, green and blue lights are mixed in equal
proportions, the result is neutral gray light. |
| (02.06.02) |
What is Color?
Television has been an integral part of our day-to-day lives since
the 1950s, and it was fervently pursued as a concept far earlier than
that. Although early television was monochrome, the pioneers of the
technology were interested in transmitting color pictures across the
airwaves from the beginning. |
| (01.23.02) |
Remembering
the World Trade Center
Reading the recent World Trade Center remembrances from my colleague
on these pages, Peter Prunty, brought to mind my own memories of One
World Trade Center the North Tower. |
|
(11.28.01)
|
DTV Latency
Throughput delay, commonly referred to as latency, is an inescapable
consequence of using digital audio and video technologies.
|
| (10.31.01) |
SMPTE Timecode in
the DTV Era
Television engineers have been using SMPTE timecode for about three
decades now. It has facilitated electronic editing and the synchronization
of a variety of video devices, to name just two benefits, and it would
be impossible to do television as we know it today without it. |
| (10.03.01) |
DTV Aspect
Ratio Signaling
One result of DTV is that we now frequently find ourselves dealing
with multiple aspect ratios. A multiplicity of picture aspect ratios
has always existed in film and cinema, but decades of television engineers
were relatively well insulated from this reality. This is no longer
the case. |
| (09.05.01) |
PSIP Data
Often Incorrect, Missing
On the long list of all that is wrong with DTV implementation are
the problems involving the broadcasting of incorrect or simply
missing system information and other data that is necessary
to facilitate the correct operation of the DTV receiver.
|
| (06.13.01) |
ITV
Catches Fire
Interactive TV is happening. Many of us remember companies (although
we cant quite remember their names) trying mightily to convince
us that interactive TV was the wave of the future at NAB conventions
of around a decade ago.
|
| (02.07.01) |
The Last Word on Time
Previously, we have taken a look at how cesium clocks, the most-accurate
time and frequency references available to us, work.
|
| (02.07.01) |
NTSC Signals Have a TSID,
Too
MPEG-2 transport streams, of which ATSC transport streams are a
subset, can be uniquely identified with a Transport Stream Identifier,
also known as a TSID. NTSC signals are not transport streams, but
they have TSIDs too, which in their case stands for Transmission
Signal Identifier.
|
| (10.31.00) |
Video Description
Is On the Way
The FCC has recently issued another Report and Order that will affect
your life as a television engineer. In FCC 00-258, adopted July
21, 2000, video description is made a requirement for broadcasters
and many cablecasters.
|
| (year 2000) |
1932 Technology Update
In these days when we are concerning ourselves with such technological
topics as digital compression, this writer recently came across
a document written in 1932 entitled "Report on the Investigation
of the Light-Beam Type of Volume Indicator."
|
| (year 2000) |
The Artifacts
of Motion
One thing that television and the movies have in common is that
both portray motion by capturing and displaying a series of still
pictures, albeit in very different ways.
|
| (year 2000) |
What About Metadata?
One of the opportunities created by the digitalization of television
is the ability of digital media and transports to carry metadata
in addition to video and audio.
|
| (year 2000) |
Interest
in Progressive Scanning in Japan Increases
HDTV originated in Japan, where the original HDTV scanning format,
1035i, was developed. A pioneer of HDTV, Japanese public broadcaster
NHK has been an aggressive and vocal promoter of interlaced HDTV,
to the point that Japanese broadcast equipment manufacturers have
until recently demonstrated reluctance to publicly embrace progressively
scanned DTV formats.
|