Focus on Editing: Jay Ankeney
Media 100 Broadens Its Scope
Company Puts New Emphasis on Streaming Technology
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Quantel Enhances Editbox
Quantel, which pioneered editing with uncompressed (no,
the company insists "noncompressed") video, has
introduced a program to make its prestigious Editbox NLE affordable
to smaller post houses or broadcast graphics suites. Editbox
Choice is a build-to-order process that lets users design
an Editbox system with only the features they really need.
"We are also continuing to develop our level 8 software
for Editbox," said Steve Owen, business manager for workstations
at Quantel, "and all new systems are now shipping with
Version 8.22, which includes an improved auto conform with
OMFI (Open Media Framework Interface), graphical keyframe
control and the ability to output a project without previously
having to black the tape."
Editbox FX can now hold up to four hours of uncompressed
601 video and network to Quantels Clipnet. With the
Image Mine background loader, Clipnet facilitates adding new
material to the system without interrupting the editing process.
Clipnet also lets Editbox interface to Quantels most
exciting new technology, iQ, an image processing platform
offering complete "resolution co-existence." For
us Yanks, that is English for being able to handle any video
in its native format simultaneously on the same timeline
all the way past HDTV up to films 2K requirements.
Once you have mixed and matched your source footage formats,
iQ can output, or "publish," the master in any format
you want. True, this is a dicey time in this industry to be
introducing a new system costing more than $500,000, but Universal
Studios in Hollywood is already up and running with the one
they purchased, and Quantel just recently installed one at
Eyes Post Group in Toronto, Canada.
Jay Ankeney
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Now that they are claiming more than 150,000 customers for their
total family of products in the entertainment, news, and corporate
communications fields, Media 100 Inc. like all who are involved
with editing video on NLEs has been exploring alternative
uses for its systems until either the demands of DTV or the capabilities
of entertainment programming on the Web catch up. "Media 100
is focused on the digital media workflow for both broadcasters and
new media content creators," said Mike Savello, vice president
Enterprise Solutions at Media 100, Inc. "Our emphasis is on
a broad range of systems, from Media 100i on the Macintosh to iFinish
for the Windows platform, providing tools for everything from capture
to delivery. In fact, our new version 7.5 software that shipped
last April for the Media 100i line features a breakthrough lossless
codec technology at up to 1 MB per frame. That gives you the look
of uncompressed video while maintaining storage efficiency."
With a sluggish market hindering vertical developments, Media
100 seems to have decided to spread out horizontally, having newly
acquired ICE ("Integrated Computing Engines"), which lets
them bring out two new effects acceleration options for Adobe After
Effects 5. They are called Media 100 ICE and ICE Ultra, and both
are based on Media 100s BlueIce 166 acceleration engine.
To enhance their streaming capabilities, Media 100 has also presented
Cleaner XL for high-volume, deadline-intensive streaming media applications.
Cleaner XL leverages the high-speed processing of the companys
CrystalICE engine. In addition to increasing overall systems performance,
CrystalICE leaves the host systems CPU free to complete other
encoding tasks more efficiently.
CLEANER LIVE
Notably, Media 100 has made no announcements regarding systems
for HDTV and is instead focusing on streaming for business communications.
Thats why the company has also demonstrated Cleaner Live to
facilitate real-time teleconferencing. "We are intentionally
producing streaming technology that will be useful to those outside
of the entertainment community," Savello explained, "because
weve seen predictions that by 2005 enterprise companies will
be purchasing streaming technologies to the tune of $2.8 billion.
That gives large companies the opportunity to use our systems as
significant communications tools in their operations."
To its credit, Media 100 has put a lot of effort into providing
education about new video technologies in addition to producing
the hardware/software products the company sells. Last year Media
100 introduced icanstream.com to teach prosumer-level customers
over the Web how they can employ these new digital tools. This year,
the company has partnered with Canon Inc. to launch icanstream.tv,
a more sophisticated online streaming educational channel to provide
tips and techniques geared for professional content creators.
Canon, after all, sells one of the most popular line of DV camcorders
that is bringing digital video acquisition into the range of a much
broader group of users. "This is a Web destination that will
offer higher end tutorials than the previous site," Savello
said. "We are designing it intentionally for those who intend
to use streaming for business communications."
WORTH A VISIT
The new icanstream.tv site contains three sections: "Video
Gallery," where industry experts showcase their own streaming
media video examples; "Learn," which is designed to educate
the streaming media novice to shoot, edit, encode and deliver video
on the Internet; and "Community," which provides a forum
for industry discussions and access to browsing video directories
that video professionals have posted. It is well worth a visit.
Finally, just this month Media 100 announced it was teaming up
with Globix, a leading content delivery network, to provide a cost-effective
Webcasting system for both internal (intranet) and external (Internet)
communication using Media 100s Cleaner Live system. This new
arrangement should enable even moderate-sized companies to economically
provide live Webcasts to a sizable external audience.
Jay Ankeney is a free-lance editor and postproduction consultant
based in Los Angeles. Write him at 220 39th St. (upper), Manhattan
Beach, CA 90266.
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