Working With Fixed Monitor Levels

By Jay Yeary | September 20, 2017

ATSC Recommended Practice (RP) A/85 is usually thought of as a loudness standardization document full of guidelines we must follow to ensure content loudness complies with the CALM Act.

The Effects of New Formats on Loudness

By Jay Yeary | July 21, 2017

The face of television audio has developed some interesting new wrinkles since we last looked at loudness—namely, immersive audio, objectbased audio and audio for personal devices.

Audio Education at the 2017 NAB Show

By Jay Yeary | June 30, 2017

Every April, thousands of us make a pilgrimage to the desert to learn from gurus who pass along insight and direction, give us glimpses into the future, and help us make sense of it all.

ATSC 3.0 and Preparing Audio Infrastructure

By Jay Yeary | February 24, 2017

IP transmission will begin making inroads into North American broadcast facilities starting this spring, even if they have no plans to implement an IP-based infrastructure, thanks to the finalization of ATSC 3.0 specifications and the introduction of compatible consumer products at this year’s CES.

The Difference Between Audio for Film, TV

By Jay Yeary | November 28, 2016

The entire process of sound for film has always fascinated me partly because the working environment seems so extravagant compared to someone who has spent the majority of their professional life working in the trenches of broadcast audio for television.

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DPA Microphones Amplifies its CORE

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