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Jay Yeary

Jay Yeary

Jay Yeary is a broadcast engineer specializing in audio. He is an AES Fellow and member of both SBE and SMPTE.

  • Resources

    Lessons From the 2016 AES Convention

    December 26, 2016

    At the 2016 Audio Engineering Society Convention in Los Angeles, I ran into a friend who was manning the booth of a broadcast audio console manufacturer.

  • Resources

    The Difference Between Audio for Film, TV

    November 28, 2016

    The entire process of sound for film has always fascinated me partly because the working environment seems so extravagant compared to someone who has spent the majority of their professional life working in the trenches of broadcast audio for television.

  • Resources

    Considering Video for Audio Engineers

    November 03, 2016

    Anyone who has been an audio engineer for a substantial period of time does so because they love what they do, not because they can’t move on to something else.

  • Resources

    Transitioning to IP Audio Codecs

    September 16, 2016

    In my August column, “The Audio World Without ISDN,” we looked at the impending demise of ISDN and the options available for those who can no longer get service.

  • Resources

    The Audio World Without ISDN

    August 22, 2016

    I was working on a string of projects back in the mid-1990s that required us to fly in talent to handle Spanish and Portuguese translation.

  • Resources

    The State of AoIP Compatibility

    July 28, 2016

    One of my missions at this year’s NAB Show was to take a deeper assessment of the state of interoperability of audio-over-IP devices in preparation for an upcoming project.

  • Audio

    The Changing Deliverables Of Broadcast Audio

    January 19, 2016

    Where we once simply sent a mix to the primary air chain, they can now end up in places we never dreamed, after going through file manipulation processes over which we have little information or control.

  • Audio

    Ambisonics B-Format for Immersive Audio

    December 28, 2015

    With immersive audio knocking on the door of broadcast television, it seems like a good time to investigate some ways to create content for the format.

  • Audio

    Control Rooms: It’s All About the Bass

    November 03, 2015

    The importance of bass managing control room speakers was made crystal clear to me in May 2004, during the first game of the NBA Western Conference Finals.

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