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Issue Date
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Click to Read Issue
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Headline
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2006-12-26
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DTV Station Loudness: Part IV
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2006-12-19
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DTV Station Loudness: Part III
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2006-12-12
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DTV Station Loudness: Part Two
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2006-12-05
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DTV Station Loudness: Part 1
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2006-11-28
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Hearing the Dialog
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2006-11-21
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Audio Data Rates for DTV: Getting More Bang for the Bit
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2006-11-14
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Clicks and Pops in DTV Audio, Part Two
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2006-11-07
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Clicks and Pops in DTV Audio? Part One
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2006-10-24
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Controlling Dynamic Range
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2006-10-17
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Downmixing Metadata Hints
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2006-10-11
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Methods of Handling Audio Metadata
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2006-10-03
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Audio Metadata Hints
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2006-09-26
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When to use Full-Normals and Half-Normals
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2006-09-19
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Jackfield Full-Normals, Half-Normals and No Normals at All
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2006-09-12
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Good Jackfield Design
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2006-09-06
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Color Coding Cable Has Its Benefits
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2006-08-22
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CAT5 Cable for AES3 (balanced) Digital Audio
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2006-08-15
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Use Correct Cables for AES3 (Balanced) Digital Audio
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2006-08-08
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AES Digital Audio Eye Display
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2006-08-01
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Audio Console Insert Points
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2006-07-25
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Measuring Noise Criteria Values
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2006-07-18
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Noise Criteria Curves
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2006-07-12
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Audio Compressors and Other Signal Processing in 5.1 Mixing
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2006-07-03
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Dealing With Mono Mic and VTR Tracks
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2006-06-26
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Dealing With Stereo Audio Tracks
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2006-06-20
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Monitoring with Bass Management
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2006-06-13
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5.1 Mixing Tips: Dialog/Announcers
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2006-06-06
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Surround Sound Downmix Compatibility
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2006-05-22
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Dealing With the Pin-1 Problem
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2006-05-15
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Is Your Audio Equipment AES48 Compliant?
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2006-05-08
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Avoid Mating Gold With Tin
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2006-05-02
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Go for the Gold on Connectors
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2006-04-25
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Protect Your Hearing
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2006-04-18
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Be Careful of 'Leakage' Sound Pickup by Adjacent Mics
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2006-04-10
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Don't Mix in More Microphones Than You Need
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2006-04-04
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Addressing Audio-Video Lip Sync at the Baseband Level
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2006-03-27
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Addressing Audio-Video Lip Sync at the Baseband Level
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2006-03-20
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Addressing Audio-Video Lip Sync at the Baseband Level
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2006-03-13
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Addressing Audio-Video Lip Sync at the Baseband Level
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2006-03-07
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Addressing Audio-Video Lip Sync at the Baseband Level
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2006-02-27
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Why Maintain Absolute Polarity
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2006-02-20
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Don't Confuse Polarity and Phase
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2006-02-13
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Keep Audio Cables Away from Power Lines
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2006-02-06
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Managing Cables with Different Audio Levels
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2006-01-23
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Mixing AES3 and S/PDIF Digital Audio Signals in the Same System
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2006-01-17
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S/PDIF Digital Audio Compared with AES3id
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2006-01-10
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AES Digital Audio--Converting Balanced to/from Unbalanced
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2006-01-03
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AES Digital Audio--Physical Connections
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2005-12-30
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Synchronizing Digital Audio
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2005-12-19
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Playing with Polar Patterns--Stereo Microphone Techniques
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2005-12-12
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Playing with Polar Patterns--Stereo Recording Microphone Techniques with Omnidirectional Mics
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2005-12-05
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Playing with Polar Patterns--Stereo Recording Microphone Techniques with Cardioid Mics
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2005-11-29
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Use Windscreens on Directional Mics
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2005-11-21
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Choosing a Microphone: Polar Patterns-Directional
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2005-11-08
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Choosing a Microphone: Polar Patterns-Omnidirectional
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2005-10-31
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Choosing a Microphone--The First Step
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2005-10-24
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Keep Digital Audio Devices in Sync
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2005-10-17
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Managing Room Noise
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2005-10-11
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Carefully Mix in Mics
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2005-10-03
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How to Test for Room Modes
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2005-09-26
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Don't Work in a Cube
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2005-09-19
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Don't Drive Loudspeakers Into Distortion
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2005-09-13
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Listen Carefully When Monitoring Audio
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2005-09-06
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Aim Loudspeakers at Ears
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