Dave Bellamy /
08.01.2013
Originally featured on BroadcastEngineering.com
Wireless microphone from Shure is part of reliability of 2013 GRAMMYs.
The wireless system ensured excellent sound quality and RF at the GRAMMYs.

Being the RF coordinator for a major live broadcast like the Grammy Awards is both an honor and a challenge. Wireless for a production like that is like standing near the edge of a cliff. You don’t want to fall off, so you want to be as far back as you can get.

My job is to do everything I can to keep every wireless microphone channel as safe and reliable as possible. This requires advance planning, the cooperation of several involved departments, and the selection and deployment of the most reliable equipment available.

The Grammy telecast is artist-centric, making every effort to accommodate each performer’s needs within the context of all the unique production numbers they do. That means that most of the wireless microphone choices are determined by endorsements and tour riders. Our job is to make it all work, flawlessly.

Want to find out how they did it?

Subscribe to our Digital Edition and check out the August issue. It is FREE!
Already a Digital Edition subscriber? Click here to get the issue.



Comments
Post New Comment
If you are already a member, or would like to receive email alerts as new comments are
made, please login or register.

Enter the code shown above:

(Note: If you cannot read the numbers in the above
image, reload the page to generate a new one.)

No Comments Found




Wednesday 9:02AM
Analysts: TV Regs 'Not as Dire as We Thought'
We feel the negatives are known and are a lot more comfortable recommending the space.


 
Featured Articles
Discover TV Technology