03.14.2006 03:30 PM
Originally featured on BroadcastEngineering.com
Ten 21 Studios chooses Liquid Channel

England's Ten 21 Studios prides itself on meeting client needs, so the flexibility of the Focusrite Liquid Channel is a natural choice for expanding the capabilities of its input channels. Located in the heart of Kent, Ten 21 Studios was set up by Sean Kenny, whose wide-ranging experience as a drummer, guitarist, and vocalist provided a player’s perspective, along with the key abilities to properly set up and tune instruments. Already frequented by producer Nick Tauber (Thin Lizzy, Marillion) and writer-producer Tony Fennell, Sean Kenny knew that flexibility in Ten 21’s vocal front end would help ensure a steady stream of clients.

Kenny’s experience in the industry has set him up well to run the studio. He was originally a drummer and then turned to guitar and vocals and has played more than 2000 gigs around the country.

An advantage of the Focusrite Liquid Channel is the unit’s ability to emulate the sonic characteristics of a wide variety of classic and vintage analog signal processors (most notably mic preamps and compressors). The advantage that Kenny found is that the unit goes beyond modeling software, actually emulating the input impedance and signal path of the target unit, with full digital recall of the settings.

For more information, visit www.focusrite.com/productdetails.asp?id=37&iRange=1.

Back to the top

Post New Comment
If you are already a member, or would like to receive email alerts as new comments are
made, please login or register.

Enter the code shown above:

(Note: If you cannot read the numbers in the above
image, reload the page to generate a new one.)

No Comments Found

Thursday 11:07 AM
The Best Deconstruction of a 4K Shoot You'll Ever Read
With higher resolutions and larger HD screens, wide shots using very wide lenses can be a problem because they allow viewers to see that infinity doesn’t quite resolve into perfect sharpness.

Featured Articles
Discover TV Technology