Have you ever ridden a
bicycle 300 miles in a day
for charity? No? Me neither,
and I was somewhat surprised
recently to discover that is
precisely what 10 riders had
in mind: 300 miles from IBC’s
offices in London to the RAI in
Amsterdam the weekend before
IBC 2011.
I am a freelance cameraman
based in Manchester in the UK
with my own company, Flagtime
Films. For the past five years or so
I’ve worked on a wide range of
projects – usually in Manchester
or London – including music
videos, commercials, and
other corporate shoots. I’ve
also worked for broadcasters
including the BBC and Sky.
My role was to be a
cameraman covering the
IBC2IBC ultra-marathon ride. By
the time I came on board, plans
were well advanced to stream
live footage to
ibc2ibc.com.
This would allow people
sponsoring the event to watch
the cyclists’ progress.
This is where LiveU’s
technology – kindly supplied
free-of-charge via Garland
Partners in the UK – came to the
fore. This is the first time that I’d
come across cellular uplinking
technology that, in backpack
form, allowed live signals to be
transmitted from the field via 3G,
4G, WiMAX, or Wi-Fi for broadcast
or streaming.
My immediate reaction
was one of skepticism: How
could 3G networks sustain any
kind of picture quality at all?
Not only that, but we would
also be shooting in the UK
plus France, Belgium, and the
Netherlands too. So how would
it handle roaming?
Well, we set up the
technology outside IBC’s offices
in London, by simply attaching a
Sony Z1 camera to the backpack
containing the LiveU unit –
and immediately it worked.
Via mobiles and laptops, we
could see the riders ready to go;
nervous yet excited at the same
time.
Now the details: the LiveU
backpack could support 7 x
3G data channels, or modems.
In this instance, the LU60 was
configured with roaming SIMs.
This gave it the ability to connect
to multiple mobile providers
throughout Europe.
The flagship LiveU LU60 unit
split the camera feed – having
encoded it using H.264 – across
all the available 3G capacity
using multiple networks;
creating a virtual wide pipe.
As we moved between cells, this
approach constantly ensured
maximum signal quality.
At the other end, the signals
were then received by a server
– LiveU’s LU1000 technology.
This used a static IP address and
the backpack unit was pointed
to that receiving address.
The software then
reassembled the feeds back
into a high quality picture.
In this instance it was configured
to subsequently push the
transmission to a Flash player;
the video having first been
encoded by an Adobe Flash
Media encoder on the server.
Of course, it could have been an
SDI output or any of a number of
other output options.
My initial skepticism was
quickly swept away by the
results. This technology was
crazy and brilliant at the same
time. I couldn’t believe the
quality it achieved, with HD
entirely possible. The picture
was rock solid, not sketchy or
prone to break-up at all – and the
roaming was seamless.
It was very, very impressive – in fact, almost as impressive as
watching 10 men cycle 300 miles
to raise money for the Vision
Charity. Almost, but not quite!
A spectacular effort all round.
Ed Lister is a freelance
cameraman and owner
of Flagtime Films.